Are you having trouble finding fabric in just the right color for your quilt? The wrong side of a printed fabric may provide you with the perfect color option.

• I’ve found that the secret to successfully mixing many different prints is to noticeably vary the size and scale of the patterns that are placed next to each other. Whenever possible, I place larger and smaller prints together, rather than positioning those of the same scale side by side. If I find that many of my prints are of a similar size, I’ll vary the value of the colors to achieve contrast and add further definition.

• To easily give any quilt an old-fashioned, vintage feel, simply substitute muslin for the background prints called for in the directions. Your quilt will instantly exude traditional charm.

• When arranging your blocks for placement into a quilt top, always position pieces with strong hues in the corners. This will clearly define and anchor your quilt center.

• Remember that the value of any print can change depending upon the colors that are positioned immediately next to it. If I decide to work a light print into a quilt top that largely features darker tones, I will position it next to a medium-toned print to minimize the difference. The medium print acts as a bridge to blend the surrounding colors, and the lighter print adds interest without distracting from the overall look of the quilt.

From Martingale Blog, posted by Jenny Wilding Cardon on April 15, 2013, in quilting & sewing, patchwork & applique, quilt tips, quilting tutorials